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SIGMATROPIC
'
Dark Outside '
(Tongue Master)
Sigmatropic
began in the late 90s as a floating ensemble gathered around the
Greek musician,
Akis Boyatzis.
Purveyors of a Hellenic-hued electronica, in 2003 they released
' 16 Haiku & Other
Stories ' - settings of poems by the Greek Nobel
laureate
George Seferis. A cohort of sympathetic singers was
recruited to the project including
Alejandro Escovedo,
Robert Wyatt
and Carla
Torgerson, and while an acquired taste, it was
fascinating.
Sigmatropic now appear to have a more settled line-up
and have added the earthy blues-tinged vocals of
Anna Karakalou,
though still employing other voices -
Torgerson,
Howe Gelb,
Robert Fisher,
and Jim
Sclavunos. Together they create an intriguing
melange – like a combination of
Portishead,
The Walkabouts
and Lee
Hazlewood. Vistas of heat and light, sea and sand
open up. There’s a definite European art movie ambience, accentuated
by the often-mellifluous lyrics of
Boyatzis
and Michael
Willet. Bright variety is in the order of the day;
Sclavunos
impassioned on ‘Ours
At Least’,
Torgerson
fragile on ‘Red
Across The Sand’.
Gelb
and Karakalou
contrast on 'White';
he speaks she sings.
Boyatzis,
at times, adopts a style of sing-song storytelling, straight out of
the nursery, most notably on the
E.E. Cummings'
setting, 'Maggie
And Millie And Molly And May'. It falls to
Fisher
to
throws perhaps the biggest surprise in 'The
Blue Side Of The Sun', less in the voice than the
setting - an early-80s funk backdrop redolent of
Pigbag
or Wham
or somewhere in between.
-
NICK WEST
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Sigmatropic began in the late 90s as a floating
ensemble gathered around the Greek musician, Akis
Boyatzis. Purveying a Hellenic-hued electronica, they
released ' 16 Haiku & Other Stories ' - settings of
poems by the Nobel laureate George Seferis. A
cohort of sympathetic singers took part including
Alejandro Escovedo, Robert Wyatt and
Carla Torgerson, and while an acquired taste,
it was fascinating. Sigmatropic now have a
settled line-up adding the blues-tinged vocals of Anna
Karakalou, though still employing other voices -
Torgerson, Howe Gelb,
Robert Fisher, and Jim Sclavunos. They
create an intriguing melange - a combination of
Portishead, The Walkabouts and
Lee Hazlewood. Vistas of heat and light suggest a
European art movie ambience, accentuated by the mellifluous
lyrics of Boyatzis and Michael Willet.
Bright variety is in the order of the day; Sclavunos
impassioned, Torgerson fragile. Gelb
and Karakalou contrast on 'White'; he
speaks she sings. Boyatzis, at times, adopts a
style of singsong storytelling,notably on the EE
Cummings' setting, 'Maggie And Millie And Molly And
May'. Fisher throws perhaps the biggest
surprise in 'The Blue Side Of The Sun', less in the
voice than the setting - an early-80s funk backdrop redolent of
Pigbag or Wham.
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Brainchild
of Greek musician Akis Boyatzis,Sigmatropic’s
latest album sees their flowing soundscapes enhanced by some
heavy-hitting guest vocalists. Willard Grant
Conspiracy’s Robert Fisher and Howe Gelb,
once of Giant Sand, produce starring roles in
their contributions, while Anna Karakalou is
also an intoxicating vocalist, but Boyatzis’
weaker voice infuriates when he takes over and diminishes what
could have been a more powerful album, melding electronica,
Americana and folk.
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Elegant moodscaping from Greek composer
What began
10 years ago as a one-man sortie into experimental music morphed
into something bigger with Sigmatropic's 2003
LP, ' 16 Haiku & Other Stories '. There, Athenian
composer Akis Boyatzis was joined by
Cat Power, Mark Eitzel and others for
a murky mix of folk and exotica. ' Dark Outside ' hugs
the same space, adding grooves and the odd snapping beat to the
moody ambience. This time, Boyatzis adds his
own occasional vocals, though it's Howe Gelb
and Willard Grant's Robert Fisher who excel,
especially the latter on propulsive electro-cowboy ballad "
Song In My Wallet ".
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pennyblackmusic.com |
Sigmatropic is the project of Greek musician and folk
electro-artist, Akis Boyatzis.
While Boyatzis is also a singer, adding vocals
to five of the thirteen songs on Sigmatropic's
just released album 'Dark Outside', it is as a musical
director and cohort that he has especially made his mark. The
project's 2003 debut album, 'Sixteen Haiku and Other
Stories', which set to music the haiku poems of Greek Nobel
Prize-winning laureate George Seferis, found
Boyatzis collaborating with such heavyweights
as Robert Wyatt, Mark Eitzel,
Alejandro Escovedo, Sonic Youth's Lee
Ranaldo and Cat Power.
'Dark Outside' builds on this, like its predecessor
featuring an arsenal of guest singers and pushing them in
directions that they have never gone before. There are
appearances from the Walkabouts' Carla Torgerson,
Howe Gelb and Nick Cave and the Bad
Seeds and Grinderman drummer
Jim Sclavunos, all of whom were on the last album, and
also Boyatzis' latest musical accomplice, Willard Grant
Conspiracy singer Robert Fisher.
Contrary to its name, but as befits an album with song titles
such as 'White', 'Red Across the Sand' and
'The Blue Side of the Sun', 'Dark Outside' is a
gorgeous, kaleidoscopic riot of sound.Fisher
has been sometimes unfairly labelled as a miserablist, but that
myth is firmly dispelled with on both of his contributions here,
'A Song in My Wallet' and 'The Blue Side of the
Sun'. 'A Song in My Wallet' is as upbeat as its
gets and-a rapidly clambering swirling mass of thumping drum
machine beats, sweeping electronic strings and orchestral
sounds-has a gospel-dance flavour and tells of an across-the
world love affair. 'The Blue Side of the Sun' is
similarly aloft, and, a tale of adulterous love, is an
80's-style electro pop number with jangling beats.
On the swarthy-sounding 'White', brooding stabs of
electronica are merged with sharp peals of trumpet as
Howe Gelb, his vocals reminiscent those of
Robbie Robertson on 'Somewhere Down the Crazy
River', provides a growling, spoken word monologue in which
he plays the part of a soon-to-be-rejected would-be suitor.
Carla Torgerson draws her listener in with the
whispered enthusiasm of her vocal on the piano-led folk of
'Red Across the Sun', another story of heartbreak, while
Sclavunos, on a rare turn on vocals, shows that he has picked up
a trick or two from working for 11 years for his day job boss
with the tortured theatricalism of 'Ours at Least.'
As strong as these contributions are, the highlight of
'Dark Outside', however, comes from the vocal contributions
of Anna Karakalou. The second full-time member
of Sigmatropic who has joined the group since 'Sixteen Haiku
and Other Stories', she is one of those rare gymnastical
singers, who seems able to match her voice to any genre, giving
'A Song in My Wallet' its gospel tinge, playing the
role of sexual siren on 'White', and investing soaring power
ballad, 'Crack in the Back', upon which she takes the
lead vocal, despite it being about the emotional meltdown of a
relationship, with a boisterous wit and humour.In contrast
Boyatzis' own rather reedy vocals against such
a list of talents come across sadly sometimes sounding flat and
forced, especially on the hazy opening number, 'Position
One', and the melancholic 'Monologue', both upon
which he takes the lead. He appears though on more solid ground
on the trip-hop space rock of the title track which he co-sings
with Karakalou.
A mish-mash of electro sounds and excellence, 'Dark Outside'
nevertheless pays great testimony to both of its principal
members and also its guest musicians, taking them into new and
often unexpected areas. It is an album of enormous versatility
and visionary quality.
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' Dark
Outside ' (Tongue Master)
Strikingly
offbeat mixture of Americana and brooding electronica from Greek
multi-instrumentalist Akis Boyatzis.
Willard Grant Conspiracy's Robert Fisher, a
gravel-voiced Howe Gelb, Walkabouts'
vocalist Carla Torgerson, Bad Seeds
drummer Jim Sclavunos and Boyatzis
himself add a melancholy croon over lushly textured soundscapes
with surprising and often exquisite results.
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SIGMATROPIC
‘Dark Outside ‘
(Tongue Master Records)
****1/2 (of 5)
QUITE possibly the coolest sounds to come out of Greece are
these luminous
studies in electronica, folk and rock. Sigmatropic is
essentially a vehicle
for the gifted Akis Boyatzis, who creates serene cinematic
soundscapes to
frame fascinating vocal performances. Friends helping out offering
their
services here include Giant Sand’s Howe Gelb, who
lends his laidback drawl
to the trip-hoppy ‘White’, and Willard Grant Conspiracy’s Robert
Fisher, whose
sturdy baritone brings power and grace to two songs. (Check out ‘The
Blue
Side Of The Sun’.) Add in fine vocals contributions from Akis
and sultry -
voiced band member Anna Karakalou and you’ve a thoroughly
engaging listen.
- SIMON COSYNS
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SIGMATROPIC
‘Dark Outside ‘
(Tongue Master Records)
Sigmatropic is the chosen moniker of musician/producer
Akis Boyatzis, a man
with quite a musical history in his native Greece. The first
Sigmatropic
long player ‘16 Haiku and Other Stories’ featured a diverse and
rather
impressive line up of 18 guests including Cat Power,
Robert Wyatt and Sonic
Youth’s Lee Ranaldo.This new album ‘Dark Outside’ also features
a number of
guest vocalists but on a slightly less ambitious scale to it’s
predecessor. Robert Fisher of Willard Grant Conspiracy lends his
baritone to two tracks,
while Howe Gelb, Carla Torgerson of the Walkabouts
and Jim Sclavunos of the Bad Seeds and Grinderman each lead up one track a
piece. New addition to the
core band Anna Karakalou shares vocals with Boyatzis
on the remaining
tracks, her breathy sensual delivery complimenting his droll,
intense,
semi-spoken manner. The overall mood blends breezy Mediterranean
touches
with atmospheric scope to create a timeless sound not unlike the
Blue Nile
or late period Talk Talk. The album supplies a complete world
for the
listener to discover as it slowly and languidly unfurls across it’s
near
hour long duration. A welcome release from an unlikely quarter, it’s
refined, sophisticated nature will appeal to the more discerning
listener.
- NICK ANNAN @ www.clashmagazine.com
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